• Overview

    Born and raised in Newcastle, Drinkwater studied at the National Art School in Sydney (2001) before embarking on a prolific career marked by curiosity, experimentation, and a deep engagement with materiality and gesture.

     

     

    Since his first solo exhibition in 2004, Drinkwater has presented more than thirty solo shows across Australia and abroad. In 2019, his work was the subject of a major survey exhibition, ‘The Sea Calls Me by Name’, at the Newcastle Art Gallery — a celebration of his enduring relationship with the coastal landscapes and communities that continue to inform his art.

     

    Drinkwater’s practice extends beyond the studio, embracing collaboration across disciplines. In 2016, he was commissioned by Monash University’s Engineering Faculty to create a fifteen-metre sculptural relief, now permanently installed at the university’s Clayton Campus. The following year, he partnered with Australian fashion house ALPHA60 to develop a capsule collection that translated his painterly language into textile form.

     

    In 2022, Drinkwater’s work was included in ‘Singing In Unison – Artists Need to Create on the Same Scale that Society Has the Capacity to Destroy’, a landmark exhibition curated by Phong H. Bui and Cal McKeever for ‘The Brooklyn Rail’. Exhibited alongside artists such as Sean Scully, Julian Schnabel, Lauren Bon, Ron Gorchov, and Dorothea Rockburne, this inclusion affirmed his position within a broader international dialogue. That same year, he collaborated with choreographers Skip Willcox and Belle Beasely and composer Joseph Franklin on ‘Storm Approaching Wangi – and Other Desires’, a contemporary ballet commissioned by the Multi Arts Pavilion, MIMA Lake Macquarie, for which Drinkwater designed sets and costumes and performed in the final scene.

     

    In 2023, his mid-career was marked by two major survey exhibitions: ‘Passage’ at the Northern Centre for Contemporary Art (NCCA) in Darwin, and ‘At Mid Career’ at the Drill Hall Gallery, Australian National University, Canberra, curated by Terence Maloon.

     

    Drinkwater’s work has been exhibited in group shows throughout Australia and internationally, including in Berlin, Leipzig, New York, and London. He has received numerous accolades, including the Marten Bequest Scholarship (2011), the Brett Whiteley Travelling Scholarship (2014), and the John Olsen National Art School Life Drawing Prize (2002), and has been a finalist multiple times in major national prizes such as the Wynne Prize, Sulman Prize, and Dobell Drawing Prize.

     

    James has undertaken international residencies in Leipzig, Titjikala, Kenya, Paris, Tahiti and Ubud; experiences that have infused his work with a rich sense of movement and place. His works are held in a number of significant public and private collections, including the Art Gallery of New South Wales, HOTA Gallery, Bendigo Art Gallery, Newcastle Art Gallery, Maitland Regional Art Gallery, Artbank, Macquarie Bank, Monash University, and the Schnabel Collection, New York, among others. Most recently, his work ‘Sunday in Albi’ was acquired by The Blanca and Borja Thyssen-Bornemisza collection for the Thyssen-Bornemisza National Museum.

  • Biography

    SELECTED SOLO EXHIBITIONS

    2025. Anchored by the Sun, Nanda\Hobbs, Sydney 

    2025. Kick Hard off the Ocean Floor, Edwina Corlette Gallery

    2024. Child at the Met and other Journals, Nicholas Thompson Gallery at Melbourne Art Fair

    2024. École des Arts - Somewhere just outside Toulouse, Nanda\Hobbs, Sydney 

    2024. Somewhere Between the Sea and the Table, Vigo Gallery, Wellington Arch Museum, London 

    2024. Fronte Oceano, Aotearoa Art Fair, New Zealand, (Nanda\Hobbs, Sydney)

    2023. AMERICAN SALT – Montauk to the Bowery, Nanda\Hobbs, Sydney

    2023. At Mid Career, Survey Exhibition, The Drill Hall Gallery, Australian National 

    University, Canberra

    2023. At Mid Career, Survey Exhibition, The Drill Hall Gallery, Australian National University, Canberra

    2023. Dobell’s storm, an exhibition of Sets, Costumes and media from the ballet, MAC Museum, Lake Macquarie

    2023. Passage, Survey Exhibition, NCCA Northern Centre for Contemporary Art, Darwin

    2023. You could just make a painting and write it all in there, Edwina Corlette, Brisbane

    2022. Sand drawings and other tropes, Nicholas Thompson Gallery, Melbourne

    2022. Tesoro Mio, Nanda/Hobbs, Sydney

    2022. The Boxer, round 2 / Old photos make me cry, Newcastle University Gallery, Newcastle

    2021. I love you so much I can’t stop saying goodbye, Nicholas Thompson Gallery, Melbourne

    2021. The Boxer/When I was younger I said my prayers, Nanda/Hobbs, Sydney

    2020. I love you more than paintings, Nicholas Thompson Gallery, Melbourne

    2020. A day by the sea, Informality - Henley on Thames, Oxfordshire, UK

    2019. I love you to pieces then back together again, Nanda/Hobbs, Sydney Contemporary

    2019. The Sea Calls Me by Name, 10 year survey, Newcastle Art Gallery 

    2018. Looking for Urchins and Louis Ferrari, Nanda/Hobbs, Sydney 

    2017. In the Halls of my Youth, The LockUp, Newcastle

    2017. Rungli Rungliot, Australian High Commission, Singapore 

    2016. An entire life, from the interior, NKN Gallery, Melbourne 

    2016. We are clumsy now on this Southern Beach, New works from the South of France, Nanda\Hobbs, Sydney

    2015. Every Pigeon in Paris became a Dove, New work from Paris, Peta O’Brien Contemporary Art, London 2015. In the Arms of Moreton Figs, Gallery 9, Sydney

    2014. The boy cried STORM!!! NKN Gallery, Melbourne 

    2014. The boy and the ballet, Damien Minton Gallery, Sydney 

    2012. The Ocean Parade, Damien Minton Gallery, Sydney 

    2012. Home Stretch, Cooks Hill Galleries, Newcastle

    2011. Nostalgia for Nothing, Damien Minton Gallery, Sydney 

    2010. Brooding Town, Iain Dawson Gallery, Sydney 

    2010. Postage Paid Australia, Berlin, Cooks Hill Galleries, Newcastle 

    2009. Poor Boy, Fortyfive Downstairs, Melbourne

    2004. New Paintings, Maunsell Wickes, Sydney 

    2004. Vintage, Damien Minton Gallery, Newcastle 

     

    SELECTED GROUP EXHIBITIONS

    2025. Stab a Painting with a Sculpture, Braddon Snape Collaboration, Straightjacket Artspace, Newcastle, NSW

    2024. Armory Show, New York, Vigo Gallery (London, UK) Rue de Fleurus, George Benias Gallery, Athens, 2024. Greece A Dream about a Horse, Vito Gallery, London, UK Nanda\Hobbs, Sydney Contemporary

    2023. Untitled Miami, Vigo Gallery (London, UK)

    2022. Singing in unison - Curated by Phong H. Bui and Cal McKeever. Brooklyn, New York. 

    2019. Post cards from twin peaks, Paul Ryan and James Drinkwater

    2018. Black Diamond Money, Byron School of Arts 

    2018. Couplings, Dominik Mersch Gallery, Sydney 

    2018. Sweetness of The New, The Yellow House Gallery, curated by Stepping into Tomorrow 

    2017. Works on paper, Beers Gallery London 

    2017. Sydney Art Fair, Nanda Hobbs Gallery 

    2017. Spring Art fair 1883, NKN Gallery 

    2017. Into Abstraction II, Macquarie University Gallery

    2014. Paperweight, Newcastle Art Gallery

    2013. Sydney Contemporary Art Fair, Damien Minton Gallery 

    2013. Working Newcastle, University of Newcastle 

    2013. Marked, Cessnock Regional Art Gallery

    2012. Young Collectors, John Buckley Gallery Melbourne 

    2012. Traces, Leipzig Art Fair, Germany 

    2012. The Great Australian Landscape, Tim Olsen Gallery

    2010. A Perfect Day to Chase Tornados (White), Berlin

     

    SELECTED COLLECTIONS

    Artbank

    Art Gallery of New South Wales

    Allens Law Firm

    Bendigo Art Gallery

    HOTA Gold Coast

    MRAG

    Macquarie Bank

    Macquarie University

    Monash University

    Newcastle Art Gallery

    Schnable Collection New York

    Thyssen-Bornemisza National Museum, Madrid, Spain

    University of Newcastle

    Warner Music Australia